- CLIPMATE DUETTE PIN MARKED TRIFARI 1936 ALFRED PHILIPPE FULL
- CLIPMATE DUETTE PIN MARKED TRIFARI 1936 ALFRED PHILIPPE LICENSE
Schiaparelli befriended and worked with some of the greatest names of the Surrealist movement. She began designing clothes to support herself, opening her Maison de Couture in 1927. There she met and married a Franco-Swiss-Polish refugee but by 1920 was divorced and living in Paris with her baby daughter.
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She fled to London to escape an arranged marriage. Schiaparelli was born into an aristocratic family in Rome. Her clients included the Duchess of Windsor Wallis Simpson, Marlene Dietrich, Greta Garbo, Katherine Hepburn, Joan Crawford and the pilot Amy Johnson. With Miriam Haskell and Coco Chanel – her great rival – she proved that exceptionally designed costume jewellery could be as spectacular as the precious kind. Pieces designed by Mitchell Maer are marked Mitchell Maer for Christian Dior.Ī true revolutionary, Elsa Schiaparelli (1890-1973) changed fashion forever. Gianfranco Ferré designed for the company from 1989 and John Galliano took over in 1996.īetween 1955 and the late 1960s pieces were marked Christian Dior with the year of manufacture. When Dior died in 1957, Yves Saint Laurent was chief designer until 1960 when Marc Bohan took the helm. These included Henry Schreiner and Kramer in the US Mitchell Maer in the UK (from 1952-56) and Henkel & Grosse in Germany from 1955.
CLIPMATE DUETTE PIN MARKED TRIFARI 1936 ALFRED PHILIPPE LICENSE
As demand grew Dior began to license other companies to design and produce jewellery for him. The jewellery was a great success and was worn by celebrities including Marilyn Monroe and Bette Davis.
![clipmate duette pin marked trifari 1936 alfred philippe clipmate duette pin marked trifari 1936 alfred philippe](https://i.etsystatic.com/5960043/d/il/633c5d/3330346141/il_340x270.3330346141_7qsa.jpg)
In 1955 Dior worked with Manfred Swarovski to create the iridescent aurora borealis stone, which was used in many pieces in the late 1950s and 1960s.ĭior’s early jewellery was made by companies such as Maison Gripoix, which created a collection based on the lily of the valley – the floral signature of the fashion house – and inspired by the garden at Dior’s childhood home in Normandy, in 1954. The jewellery became part of each season’s collection in 1948 (a year after his first, ground-breaking show) and is renowned for the quality of the stones, many of which feature unusual cuts and are set at angles which make the most of their colour and brilliance. Later, in the 1960s, Henkel & Grosse, designed chunky, geometric gilt pieces decorated with abstract enamels alongside the traditional, opulent diamante jewellery.ĭior insisted that his costume jewellery should be of the same quality as his couture clothes. He used the same materials to create floral and animal forms including seals, fish and unicorns. It could be said that his opulent accessories did the same for costume jewellery.ĭior (1905-57) took historical jewellery styles – most notably 19th century – and translated them into something modern, using unusual pastes and contemporary settings.
CLIPMATE DUETTE PIN MARKED TRIFARI 1936 ALFRED PHILIPPE FULL
The extravagant full skirts and nipped-in waists of Christian Dior’s 1947 “New Look” revolutionised women’s fashions after World War II. Design Gallery Arts & Crafts / Art Deco Biographies